First image of Despera; Konaka and Nakamura on-board

June 5th, 2009 by bateszi

Despera scan from Animage

Commenter Weils has brought to my attention some further news of Yoshitoshi Abe’s ‘Despera‘.

A related manga serialization will begin in the Japanese magazine Animage, starting with a two page spread (an image of which is above). While I’m sure this opinion will surprise exactly no-one, I think it looks great, with a green hue and a murky atmosphere that’s already so reminiscent of Abe’s work on Lain and Texhnolyze.

The image is from writer Chiaki J. Konaka’s official website, which also happens to confirm (in-line with my recent speculation) that both he and the talented director Ryutaro Nakamura will be involved in the project too, which is great news.

Aside from their collaboration on the Serial Experiments Lain anime, Nakamura’s helming of Kino’s Journey and Ghost Hound made for some great, oft-disturbing anime, while Konaka’s many writing credits includes the likes of The Big O, Texhnolyze and Devil Lady.

As far as I’m concerned, Despera will reunite three of the anime industry’s most interesting talents; a trio with a particular liking for dark science fiction and psychological horror. I can’t wait.

Update: Here is another new image, scanned from the article in Animage:

Despera scan from Animage

I love Dragon Ball Z/Kai

June 4th, 2009 by bateszi

Goku nearly catches Bubbles

I realised this while I was watching episode 7 earlier. It’s not that I think it is particularly deep (obviously) or anything like that, it’s just that I’m really, honestly enjoying it. Like how in this particular episode, Goku is training with King Kai in the after-life; first, Goku has to catch King Kai’s pet gorrilla Bubbles, which totally isn’t as easy as it sounds, and then he has to knock-out Gregory with a hammer; Gregory being King Kai’s slightly larger than normal firefly! A lot of what cracks me up is that the thing’s name is Gregory, like I’m reading a Roald Dahl book or something.

King Kai’s planet is so small, floating out in the middle of nowhere. It’s green all over, with flowers and a big tree in the middle. It has just one road, which he drives around on with his shiny red car, his house is small and the sky is pink. I remember watching these episodes before, when I was ill from a cold or something. I remember I was flicking through the TV channels with nothing to watch and came across this 4 episode marathon of DBZ and I remember thinking that it was perfect. My watching of this has everything to do with nostalgia, but it is better than that. It has space invaders, green aliens, cyborgs, dinosaurs, time travel, magic and a god damn firefly called Gregory. It’s just as good as I remember it.

Come as you are

June 2nd, 2009 by bateszi

Nevermind

Manga to live action isn’t always a good thing. Be it budgetary constraints or just terrible film-making, it doesn’t usually work out as well as we’d hoped. Death Note is a good example of that; great manga, poor films, but there are always exceptions.

Old Boy, Blue Spring and Ping Pong are three of my favourites, all of them manga adaptations. I guess it just depends on the motivations of the film-makers, hence I’m not exactly thrilled by this news of a live action Beck.

It bothers me that the press release refers to the musicians as “handsome”, and that the story will be altered to focus more on Ryusuke than Koyuki, probably for no other reason than that the former is much, much cooler to look at; regardless of whether or not it totally destroys the essence of the source, the grungy poster boy is bound to sell more tickets, right?

What I Should Have Watched Last Week

June 1st, 2009 by bateszi

As saturated as the blogosphere is with all the latest anime, it’s often the case that, every year, one or two really good series just seem to pass me by.

Most recently, this happened with Tetsuwan Birdy Decode (aka Birdy the Mighty Decode). For no good reason, I’ve been ignoring it since 2008. I’ve often wondered if it might be worth watching, yet, as of writing, I still haven’t tried it. So, last Friday, I ended up on YouTube (via the ED for Tokyo Tribe 2) and discovered all these clips of fantastic animation from the series.

It’s not that they are the most incredible or beautiful sequences of anime I’ve ever seen, but they have that certain, brash personality I’ve come to really admire in the more creative anime. This one scene in particular is reminiscent of something like Kaiba, as in the way the colour palette is so washed out by red, obscuring certain details, lacking shadow and depth. It feels so atmospheric and harsh, which isn’t what I was expecting from Birdy at all, and therefore, now I know I have to watch this series! (I hope I’ve convinced you, too!)

The sky is falling

May 31st, 2009 by bateszi

Oh dear, it has been hard to escape the news of Funimation’s botched simulcasts. Opinions are many, and moral outrage even more plentiful than ever, but after a page or two, I just feel desensitised to it all. Jumping from one crisis to the next, people launch into their biased diatribes, repeating the same old rhetoric, again and again.

I realise why they are disappointed, or rather, I can understand why residents of the US and Canada are disappointed, but personally, I couldn’t care less, because I live in the UK, I wasn’t even invited to this party in the first place. Hence, it seems stupid that while the industry likes to pretend that large swathes of the world do not exist, many of these people are so offended that fansubs still prevail. We do exist, obviously.

So, what this comes down to is a ridiculous game of brinkmanship between the anime industry and the anime fans, and for all of their cease and desist notices, I can’t remember Funimation ever taking a fansubber to court; I don’t think they even have the money to waste on legal fees in the first place, so when I read their statements, I just see empty threats. I expect fansubbers feel the same way.

Funimation are in a hopeless situation right now, their credibility shot to pieces by technical incompetence,  while an inability to open dialogue with the fansub community at large means that every time they send out legal notices, they create new enemies. It’s a stalemate. Trench warfare.

I really like that these global simulcasts are so close to reality, it’s long overdue, so I’m happy that my fellow anime fans in the US and Canada can enjoy free, legal anime like this, but if it’s going to last, the industry needs to stop being so aggressive, listen to the fans and, if just for my own sanity, accept that fansubs aren’t going to disappear overnight.