Archive for the ‘Industry’ Category

First image of Despera; Konaka and Nakamura on-board

Friday, June 5th, 2009

Despera scan from Animage

Commenter Weils has brought to my attention some further news of Yoshitoshi Abe’s ‘Despera‘.

A related manga serialization will begin in the Japanese magazine Animage, starting with a two page spread (an image of which is above). While I’m sure this opinion will surprise exactly no-one, I think it looks great, with a green hue and a murky atmosphere that’s already so reminiscent of Abe’s work on Lain and Texhnolyze.

The image is from writer Chiaki J. Konaka’s official website, which also happens to confirm (in-line with my recent speculation) that both he and the talented director Ryutaro Nakamura will be involved in the project too, which is great news.

Aside from their collaboration on the Serial Experiments Lain anime, Nakamura’s helming of Kino’s Journey and Ghost Hound made for some great, oft-disturbing anime, while Konaka’s many writing credits includes the likes of The Big O, Texhnolyze and Devil Lady.

As far as I’m concerned, Despera will reunite three of the anime industry’s most interesting talents; a trio with a particular liking for dark science fiction and psychological horror. I can’t wait.

Update: Here is another new image, scanned from the article in Animage:

Despera scan from Animage

Come as you are

Tuesday, June 2nd, 2009

Nevermind

Manga to live action isn’t always a good thing. Be it budgetary constraints or just terrible film-making, it doesn’t usually work out as well as we’d hoped. Death Note is a good example of that; great manga, poor films, but there are always exceptions.

Old Boy, Blue Spring and Ping Pong are three of my favourites, all of them manga adaptations. I guess it just depends on the motivations of the film-makers, hence I’m not exactly thrilled by this news of a live action Beck.

It bothers me that the press release refers to the musicians as “handsome”, and that the story will be altered to focus more on Ryusuke than Koyuki, probably for no other reason than that the former is much, much cooler to look at; regardless of whether or not it totally destroys the essence of the source, the grungy poster boy is bound to sell more tickets, right?

The sky is falling

Sunday, May 31st, 2009

Oh dear, it has been hard to escape the news of Funimation’s botched simulcasts. Opinions are many, and moral outrage even more plentiful than ever, but after a page or two, I just feel desensitised to it all. Jumping from one crisis to the next, people launch into their biased diatribes, repeating the same old rhetoric, again and again.

I realise why they are disappointed, or rather, I can understand why residents of the US and Canada are disappointed, but personally, I couldn’t care less, because I live in the UK, I wasn’t even invited to this party in the first place. Hence, it seems stupid that while the industry likes to pretend that large swathes of the world do not exist, many of these people are so offended that fansubs still prevail. We do exist, obviously.

So, what this comes down to is a ridiculous game of brinkmanship between the anime industry and the anime fans, and for all of their cease and desist notices, I can’t remember Funimation ever taking a fansubber to court; I don’t think they even have the money to waste on legal fees in the first place, so when I read their statements, I just see empty threats. I expect fansubbers feel the same way.

Funimation are in a hopeless situation right now, their credibility shot to pieces by technical incompetence,  while an inability to open dialogue with the fansub community at large means that every time they send out legal notices, they create new enemies. It’s a stalemate. Trench warfare.

I really like that these global simulcasts are so close to reality, it’s long overdue, so I’m happy that my fellow anime fans in the US and Canada can enjoy free, legal anime like this, but if it’s going to last, the industry needs to stop being so aggressive, listen to the fans and, if just for my own sanity, accept that fansubs aren’t going to disappear overnight.

Eden of the East is that popular?!

Thursday, May 28th, 2009

Mononoke

It’s hard to pin point exactly what it is about Eden of the East that makes it so popular, but popular it is; the 7th episode managed to find a bigger TV audience than Naruto; an even more remarkable feat when you stop to consider that it airs at 00:45, compared with Naruto at 19:30! Either there has been some serious marketing yen thrown at the series, or, more encouragingly, there remains a strong demand for intelligent, mature anime in Japan (could have fooled me)?

Of course, TV brand Noitamina deserves a lot of the credit. Conceived with the “intention of expanding the target audience [of anime] beyond the typical young male”, they have done exactly that; starting with the excellent Honey and Clover, and following that with the likes of Mononoke and Moyashimon, their main target is clearly the josei female audience, yet their selected series are often so good (in terms of animation, direction and characterisation) that they appeal broadly across the sexes, hence Noitamina has become synonymous with quality anime, and the viewing public have responded in proper numbers, which is encouraging to say the least!

Replacing Eden of the East in July will be the earthquake-drama Tokyo Magnitude 8.0. So, replacing the cinematic quality of Production I.G will be the ever-impressive Bones; seems Noitamina is showing no signs of slowing down!

The Melancholy of Yoshitoshi Abe

Saturday, May 23rd, 2009

Haibane Renmei

It’s always a good day when Yoshitoshi Abe announces that he’s working on a new anime series! While specific details are still sparse at best, the project already has a working title of “Despera” (abbreviated from “Desperado“) and the staff is said to comprise of the class of Serial Experiments Lain, so this may also involve the notable talents of director Ryutaro Nakamura and writer Chiaki J. Konaka, who were themselves reunited by 2007’s underrated Ghost Hound.

Such is my admiration for Abe’s work that I’m really struggling to pick my favourite of his career so far. My opinion is that he’s already been involved in three masterpieces, with Serial Experiments Lain (1999), Haibane Renmei (2002) and Texhnolyze (2003), all of them disparate, modern fables with a vivid sense of time and place, from the idyllic, rural purgatory of Haibane Renmei to the harsh, forgotten city of Lux in Texhnolyze. Abe’s art is melancholy, philosophical and beautiful, and I’m sure his Despera will prove to be just as fascinating.