Archive for the ‘Anime’ Category

Umi Monogatari might be alright

Sunday, May 24th, 2009

Umi Monogatari

File this one under might be good. Umi Monogatari looks like it could be your typical bishoujo anime, which, for once, is not based on a porn game. It’s born from that other, as-yet untapped mine of quality story-telling, the pachinko machine.

Okay?

So, I have no idea why Umi Monogatari exists, but what I do know is that the director is none other than Junichi Sato, the 49-year-old behind basically every magical girl anime that has ever mattered. His exhaustive list of credits includes Sailor Moon, Aria the Franchise, Kaleido Star and, most importantly, Princess Tutu.

Princess Tutu (2002) is the fourth wall breaking, magnum opus of the magical girl genre which, in time, I’m sure will be remembered as one of the classics of anime; that’s why I’m not writing off Umi Monogatari just yet, and the trailer isn’t bad either; the character designs are what they are, but the music has a good, evocative feeling and the darker scenes seem angsty and promising. It premières in the forthcoming summer season, so, good or bad, we’ll know soon enough anyway.

The Melancholy of Yoshitoshi Abe

Saturday, May 23rd, 2009

Haibane Renmei

It’s always a good day when Yoshitoshi Abe announces that he’s working on a new anime series! While specific details are still sparse at best, the project already has a working title of “Despera” (abbreviated from “Desperado“) and the staff is said to comprise of the class of Serial Experiments Lain, so this may also involve the notable talents of director Ryutaro Nakamura and writer Chiaki J. Konaka, who were themselves reunited by 2007’s underrated Ghost Hound.

Such is my admiration for Abe’s work that I’m really struggling to pick my favourite of his career so far. My opinion is that he’s already been involved in three masterpieces, with Serial Experiments Lain (1999), Haibane Renmei (2002) and Texhnolyze (2003), all of them disparate, modern fables with a vivid sense of time and place, from the idyllic, rural purgatory of Haibane Renmei to the harsh, forgotten city of Lux in Texhnolyze. Abe’s art is melancholy, philosophical and beautiful, and I’m sure his Despera will prove to be just as fascinating.

Latest Funimation poll in good anime shock

Thursday, May 21st, 2009

Funimation are asking anime fans to help select new series for their next wave of future releases.

The US anime publisher has posted this kind of thing in the past, so it’s nothing new in those regards, it’s just that this time around, I was surprised to see that their shortlist contains some good anime, so I could hardly stop myself from voting for Casshern Sins, Kaiba, Detroit Metal City and Cross Game.

Given the terrible state of the industry, I’d all but lost hope for Kaiba ever being even considered for a release outside of Japan, so to see it on this list was a big shock, while the beautiful Casshern Sins has quietly become one of my all-time favourites, hence the opportunity to buy it would be fantastic; much like Gankutsuou and Mushishi, its aesthetic has a timeless quality, something I’ll cherish for years on, so to own it would be like an investment.

Still, my gut feeling is that it’s unlikely that Funimation will license either of these series, but, if just for now, the possibility is enough to brighten my spirits. Here’s hoping.

Something funky, Redline

Wednesday, May 20th, 2009

Despite news of yet another delay, it seems likely that the anime movie Redline will be released at some point later this year, which is really good news for a few reasons, the main one being the sheer energy of this 5 minute trailer.

A tidal wave of colour and sound, director and animator Takeshi Koike’s aesthetic is so extreme that Redline will likely be shunned by the vast majority of anime fans, yet if one is searching for a glimpse of something genuinely unique, then Redline should be it. And as if you couldn’t tell, this was animated at Madhouse.

Another reason for such optimism is the involvement of Katsuhito Ishii. Having recently admired Ishii’s live action comedies Funky Forest and Taste of Tea, that he is contributing his significant talents to Redline is just another massive stamp of approval. Please do have a peak at this stupid clip from Funky Forest; notice Evangelion director Hideki Anno sitting in the front row of the school class?

The Night the Chimera Cries

Sunday, May 17th, 2009

Nina/dog

Anime is good at many things, but scaring people isn’t one of them, so when I do stumble across something that is really creepy, I tend to remember it. One of those is Nina and Tucker of Fullmetal Alchemist. Tucker, the father, ‘combines’ his little girl, Nina, with her pet dog to create a talking Chimera.

The horror lies not just in the shock of realising what the father has done to his daughter, but voice of the Chimera and how it looks, those white, blank, staring eyes, the depressed tone of its voice; the thing feels like an utter perversion of nature, its every movement an unsettling, disgusting picture of abuse. That a father would do something like this to his daughter, and that this thing still seems capable of comprehending what’s going on around it is just too tragic to accept, and it’s also precisely something like this that separates anime from cartoons the world over.

Fullmetal Alchemist (Brotherhood) is airing in Japan at around 6PM on Sundays, so children are sitting with their parents and watching this stuff as if it’s a perfectly normal thing to do, yet if this same scene aired on BBC One at the same time, I’m convinced the complaints would rain in, because this episode abuses that which most of us hold dearest, the bond between a child and her parents.

When the person you trust in more than anyone else in the world abuses you in such a horrible way, all that’s left is the most horrible, desolate sense of loneliness; even as a chimera, Nina stills follows her dad.